Rosewood Phnom Penh guests are invited on an artistic journey of discovery which complements and deepens appreciation for the A Sense of Place® philosophy of Rosewood Hotels & Resorts®. Echoing the concept of life as a living canvas, the hotel’s curated art collection meaningfully connects guests to the charm, personality and traditions of Cambodia and its capital. The distinctive art collection is inspired by Khmer tradition merging seamlessly with modernization -- that the artworks have found a home in this ultra-luxury hotel, situated in the tallest building in the Kingdom of Cambodia, is a fitting symbol for this theme. “Our artistic journey reveals the diverse character of Phnom Penh, a city that is home to numerous talented young Cambodian artists and has a long history of artistic endeavor,” says Rosewood Phnom Penh Managing Director Michael Parker. |
Welcoming guests along the hotel driveway is Cambodian artist Chan Dany’s customized carved wood panel that is inspired by traditional Cambodian motifs but reinterpreted with a contemporary feel. At the porte cochère water feature, an oversized Hanuman, the Hindu Monkey God, was crafted by South Korean artist Park Seung Mo to greet guests as a symbol of protection and luck. Its stainless steel wire wrapping is a contemporary take on Buddhist meditation with display of intricacy and discipline. In the elevator lobby, a free-form rattan sculpture by Thai artist Korakot provides a sense of calm with its use of traditional craft materials.
Upon arrival at the sky lobby at level 35, a pair of stainless steel wire-wrapped lions, also by Park Seung Mo, impressively bid guests to enter. A large piece by Chan Dany dominates the seating area, showcasing his intricate, signature of pencil shaving art that is a dedication to individual passion and persistence. Also, standing gracefully next to the elevators, is a contemporary acrylic painting by Burmese artist Htein Lin, capturing the essence of the hustle and vibrancy of Phnom Penh. The artworks for the Living Room area were selected to convey a warm, relaxed residential feel. The notable textile piece by South African artist Lyndi Sales is an homage to the long history of textile in Cambodian culture. In Brasserie Louis restaurant, French artist Jean-Maxime Robert has created two vibrantly colored paintings in graffiti style that represent Asian beauty and exotic movements. Canadian artist Clare Braer’s photography triptych is a dramatic close-up of books and paper, well-matched to the restaurant’s casual yet edgy atmosphere. In the event spaces, artist Seung Mo has carried his signature stainless steel wire-wrapping technique forward into oversized vases, which act as contemporary interpretations of wedding vessels. Each of the Salons features two large panels by Thai textile designer Sarinya Srinlim. The dramatic scale, warping effect and bright silky thread pays a contemporary nod to the regional textile industry. |
On the dramatic, 37-story-high cantilevered deck of Sora lounge, guests will delight upon Japanese artist Sawada’s trio of totems inspired by the Cambodia kingdom’s forests. Stainless steel plates add an elegant highlight to the dark tinted wood layers, playing with the concept of old and new, as well as symbolizing the continual growth of Cambodia as a whole.
Guestrooms and corridors are artistically distinguished with concepts inspired by Cambodia’s humble beginnings. Abstract sculptures along the guest corridors represent farming tools while the colorful vases are a contemporized form of traditional Khmer columns. Guestrooms feature artistic renditions of the iconic water buffalo by American artist Daniel McClendon, symbolizing a contemporary exhibition space to showcase both distinguished and emerging Cambodian artists.
In keeping the hotel’s commitment to share a deep sense of place with the guests and visitors, Rosewood Phnom Penh features a contemporary exhibition space to showcase both distinguished and emerging Cambodian artists located at level 35. The quarterly exhibition is to convey the rich and fascinating history, culture and sensibilities of Cambodia and its people through an artistic lens.
For more information: rosewoodhotels.com/en/phnom-penh
Connect with us: Facebook Instagram @rosewoodphnompenh
Guestrooms and corridors are artistically distinguished with concepts inspired by Cambodia’s humble beginnings. Abstract sculptures along the guest corridors represent farming tools while the colorful vases are a contemporized form of traditional Khmer columns. Guestrooms feature artistic renditions of the iconic water buffalo by American artist Daniel McClendon, symbolizing a contemporary exhibition space to showcase both distinguished and emerging Cambodian artists.
In keeping the hotel’s commitment to share a deep sense of place with the guests and visitors, Rosewood Phnom Penh features a contemporary exhibition space to showcase both distinguished and emerging Cambodian artists located at level 35. The quarterly exhibition is to convey the rich and fascinating history, culture and sensibilities of Cambodia and its people through an artistic lens.
For more information: rosewoodhotels.com/en/phnom-penh
Connect with us: Facebook Instagram @rosewoodphnompenh